Faculdade de Ciências Sociais e Humanas

Contemporary Art and Culture

Code

711061035

Academic unit

Faculdade de Ciências Sociais e Humanas

Department

História da Arte

Credits

6

Teacher in charge

Margarida Brito Alves

Weekly hours

4

Teaching language

Portuguese

Objectives

a) To extend and consolidate student’s knowledge on contemporary art.
b) To cross historical information on contemporary art with a theoretical perspective based on aesthetics.
c) To provide multidisciplinary instruments to understand contemporary artistic realities.
d) To identify interactions between contemporary art and other cultural domains.

Prerequisites

-

Subject matter

1. Baudelaire and modern´ self-justification. Modernity and progress. \"Enlightenment reason\" and its values in early 20th century.
2. Modern, modernity and modernism: concepts and history.
3. The contribution of early avant-gardes and the importance of their legacy.
4. Practices and discourses of modernity in post-war: Paris versus Nova York.
5. Clement Greenberg and the defence of American painting’s \"centrality\" in the 1950s.
6. Aporias of the early avant-gardes models’ restoration.
7. The role of early avant-gardes in Peter Burger and Hal Foster´s perspectives.
8. “The end of modernity” according to G. Vattimo and the debate between modernism and postmodernism.
9. Art in the age of “simulacrum” and the changes operated in sensorial and perceptive experiences.

Bibliography

BOIS, Yve-Alain; BUCHLOH, Benjamin; FOSTER, Hal; KRAUSS, Rosalind; Art since 1900. Modernism. Antimodernism. Postmodernism, London, Thames & Hudson, 2004
BURGER, Peter, Teoria da Vanguarda, Lisboa,Vega,1993
DUVE, THIERRY DE, The Definitively Unfinished Marcel Duchamp, Cambridge /Massachussets, MIT Press,1991
FOSTER, Hal, The Return of the Real, Cambridge, Massachussets, MIT Press,1996
KRAUSS, Rosalind, The Originality of the Avant Garde and Other Modernist Myths, Cambridge / Massachussets, MIT Press, 1999

Teaching method

Theoretical- practical classes and 1 monthly visit to museums, galleries or art centres. Analysis of artworks presented in classes. Discussion (every two weeks) of selected texts from the bibliography

Evaluation method

Presentation and discussion of 1 work.
Final written test (2 hours).

Courses