Universidade Nova de Lisboa

Universidade Nova de Lisboa

Faculdade de Ciências Sociais e Humanas

Seminar in Historical Musicology - 2nd semester

Code

73202102

Academic unit

Faculdade de Ciências Sociais e Humanas

Department

Ciências Musicais

Credits

10

Teacher in charge

Maria Manuela Toscano

Weekly hours

2

Teaching language

Portuguese

Objectives

Prerequisites

Not applicable

Subject matter

Bibliography

Temática A
Brelet, G.( 1951). L’interprétation créatrice. Essai sur l’exécution musicale. Paris: PUF.
Dufrenne,M. (1967). Phénoménologie de l’expérience esthétique. Paris: PUF.
Herr, S. (2009). Geste de la voix et theâtre du corps. Paris: L’Harmattan.
Langer, S.(1957). «Dynamic Image, Expressiveness», «Living Form», in Problems of Art. New York: Scribner’s Sons.
Renaud,I.(1985). Communication et expression chez Merleau-Ponty. Lisboa: UNL.

Temática B
Barthes, R.(1982). «Écoute»; «Le grain de la voix»; «La musique, la voix, la langue», in Le in L’obvie et l’obtus. Essais critiques III. Paris: Seuil.
Bernac, P. (1978). «The interpretation of French mélodies», in The Interpretation of French Song. New York: The Norton Library.
Bergeron, K.(2010). «L’Art de dire, or Language in Performance», in Voice Lessons. French mélodie in the Belle Époque. Oxford: OUP.
Kramer, L.(2002). «Signs taken for Wonders. Word, Music and Performativity», in
Word and Music Studies, eds. S. Lodato, W. Bernhart. Amsterdam: Rodopi, 4.
Prieto,E. (2002). «Metaphor and Methodology in Word and Music Studies», in Word and Music Studies, eds. S. Lodato, W.Bernhart. Amsterdam: Rodopi, 4.


Teaching method

Evaluation method

Courses