Seminar in Historical Musicology - 2nd semester
Code
73202102
Academic unit
Faculdade de Ciências Sociais e Humanas
Department
Ciências Musicais
Credits
10
Teacher in charge
Rui Vieira Nery
Weekly hours
2
Teaching language
Portuguese
Objectives
Prerequisites
Not applicable
Subject matter
Bibliography
Geral/ General:
Temática A
Brelet, G.( 1951). L’interprétation créatrice. Essai sur l’exécution musicale. Paris: PUF.
Dufrenne,M. (1967). Phénoménologie de l’expérience esthétique. Paris: PUF.
Herr, S. (2009). Geste de la voix et theâtre du corps. Paris: L’Harmattan.
Langer, S.(1957). “Dynamic Image”, Expressiveness”, “Living Form”, in Problems of Art. New York: Scribner’s Sons.
Renaud,I.(1985). Communication et expression chez Merleau-Ponty. Lisboa: UNL.
Temática B
Barthes, R.(1982). “Écoute”; “Le grain de la voix”; “La musique, la voix, la langue”, in Le in L’obvie et l’obtus. Essais critiques III. Paris: Seuil.
Bernac, P. (1978). “The interpretation of French mélodies”, in The Interpretation of French Song. New York: The Norton Library.
Bergeron, K.(2010). “L’Art de dire, or Language in Performance”, in Voice Lessons. French mélodie in the Belle Époque. Oxford: OUP.
Kramer, L.(2002). “Signs taken for Wonders. Word, Music and Performativity”, in
Word and Music Studies, eds. S. Lodato, W. Bernhart. Amsterdam: Rodopi, 4.
Prieto,E. (2002). “Metaphor and Methodology in Word and Music Studies”, in Word and Music Studies, eds. S. Lodato, W.Bernhart. Amsterdam: Rodopi, 4.
Teaching method
Evaluation method